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Marina and the Diamonds the Family Jewels Review

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2010 studio anthology by Marina and the Diamonds

The Family Jewels
The face of a young brunette woman, lying sideways on a floral patterned background. In the top left corner of the image, the words "Marina and the Diamonds" and "The Family Jewels" are placed.
Studio album past

Marina and the Diamonds
Released xv Feb 2010 (2010-02-15)
Recorded 2007–2009
Studio
  • The Ivory Tower[a]
  • Konk, London[b]
  • Biffco, Brighton[c]
  • Xi, London[d]
  • Sarm 2, London[e]
  • Kingsize Soundlabs, Los Angeles[f]
Genre
  • Culling pop
  • bubblegum-punk
  • electropop
  • synth-pop
Length 45:35
Label
  • 679
  • Atlantic
Producer
  • Marina Diamandis
  • Pascal Gabriel
  • Liam Howe
  • Ash Howes
  • Greg Kurstin
  • Richard "Biff" Stannard
  • Starsmith
Marina and the Diamonds chronology
The Crown Jewels EP
(2009) 		The Family Jewels
(2010) 		Electra Heart
(2012)
Singles from The Family unit Jewels
  1. "Obsessions"
    Released: fourteen February 2009
  2. "Mowgli's Road"
    Released: 13 November 2009
  3. "Hollywood"
    Released: i February 2010
  4. "I Am Not a Robot"
    Released: 23 April 2010
  5. "Oh No!"
    Released: two Baronial 2010
  6. "Shampain"
    Released: 11 October 2010

The Family Jewels is the debut studio album by Welsh singer Marina Diamandis, released under the phase name Marina and the Diamonds. It was released on xv February 2010 by 679 Recordings and Atlantic Records. Diamandis collaborated with several producers including Pascal Gabriel, Liam Howe, Greg Kurstin, Richard "Biff" Stannard, and Starsmith during its recording. She identifies the lyrical themes as "the seduction of commercialism, modernistic social values, family, and female sexuality."[one]

Contemporary music critics gave The Family Jewels fairly positive reviews, with the vocal delivery dividing opinions. The record debuted at number five on the U.k. Albums Chart with starting time-week sales of 27,618 copies. The album was eventually certified Aureate by the British Phonographic Industry (BPI) and has sold 195,358 units in the United Kingdom. The Family Jewels performed moderately on international record charts; it peaked at number 138 on the Billboard 200 in the United States, selling 4,000 copies its start week.

The Family Jewels was supported past five singles, all of which were supplemented past accompanying music videos. "Mowgli's Route" was released on 13 November 2009, although "Hollywood" became its first charting rail after reaching number 12 on the UK Singles Chart. Follow-upwardly singles "I Am Non a Robot", "Oh No!" and "Shampain" respectively peaked at numbers 26, 38, and 141 in the United Kingdom. The record was additionally promoted past Diamandis' headlining The Family unit Jewels Tour, which visited Australia, Europe and North America from January 2010 through December 2011.

Groundwork [edit]

Built-in and raised in South E Wales, Diamandis moved to London at the age of 18 to study music, despite not having a musical groundwork. After dropping out of four institutions and failing in auditions, she began composing her ain music.[2] After the success of her Myspace-released EP Mermaid vs. Sailor in 2007, she was signed by Neon Gold Records the following year and past 679 Artists in October 2008.[three] In 2009, afterwards playing at a variety of festivals including Glastonbury in the summertime,[4] she ranked in 2d place in the BBC'due south Audio of 2010[five] and was i of the three nominees for the Critics' Selection Award at the 2010 Brit Awards.[6] In a 2012 interview with Between the Lines, Diamandis said that the anthology'south title came from a slang term for testes, but she had been too coy to admit it before.[7]

Composition [edit]

The Family unit Jewels is mainly an alt-pop,[8] bubblegum-punk,[nine] electropop,[10] and synth-popular record[11] with influences of 1980s dance music and late-1990s female rock.[12] Diamandis explained that the album is "a body of work largely inspired past the seduction of commercialism, modern social values, family and female sexuality", intended to be "enjoyed and consumed every bit a story and theory that encourages people to question themselves".[i]

"I call back it'southward a really diverse album stylistically speaking considering I'grand such a flexible writer. And then there's a lot of pop on it, merely there's kind of a lot of leftfield experimental stuff as well. It'due south basically an album virtually what not to be."

— Diamandis explaining the album'south musical mode to Clash, January 2010[thirteen]

In a review for Q, writer Hugh Montgomery noted genres such as disco ("Shampain"), bubblegum punk ("Girls") and cabaret ("Hermit the Frog").[xiv] The opening track, "Are You Satisfied?", ponders the significant of a fulfilling life; a writer for The Line of Best Fit likened it to the thinking of Danish existentialist philosopher Søren Kierkegaard.[15] In a January 2010 interview with The Daily Telegraph, Diamandis admitted that she "cringes" at the lyrics of the song "Girls", which "could be seen as a flake misogynistic", including the lines "Girls they never befriend me/'Cause I fall comatose when they speak/Of all the calories they swallow"; she clarified that the lyrics concerned her own psychological issues with weight.[2] A Neon Gilt press release for a limited double A-side of "Obsessions" and "Mowgli'due south Road" described the quondam as a "bold and ambitious ... master work" and the latter as a "a high intensity, left field pop smash".[16]

Diamandis claimed that she made producer Liam Howe take 486 song takes for "The Outsider".[17] [18] "Hollywood" takes inspiration from Diamandis' previous obsession with American glory culture,[v] while in "I Am Not a Robot", her favourite rail from the anthology, she sings to tell herself to accept imperfection, with lines such equally "you've been acting atrocious tough lately, smoking a lot of cigarettes lately ... don't be and then pathetic"; she expected audiences to be able to chronicle to the song.[19] "Numb" is an orchestral pop song that reflects on the dedication and sacrifice needed during her early years in London;[twenty] [2] "Oh No!" and "Are You Satisfied?" accept like lyrical themes.[21] "Oh No!" was a late improver to the runway listing, causing some reviews of the album to not include it.[17] The anthology had initially been scheduled for release in October 2009, and was delayed by Diamandis' self-confessed perfectionism.[22]

Release and promotion [edit]

Music videos [edit]

In 2008, Diamandis filmed videos for the tracks "Seventeen" and "Obsessions".[23] The following year, photographer Rankin directed the accompaniment for "I Am Non a Robot", which used much body glitter.[24] [25] The video for "Mowgli'due south Road" featured Diamandis and two dancers, with puppeteers standing in forepart of them to give them the impression of having concertina limbs; it was shot over 17 hours.[22] Smooth creative person Kinga Burza shot the "classic pop video" for "Hollywood", with the aim to "make her audiences fall in love her fifty-fifty more, perhaps require a niggling popcorn and feel inspired to dress up for fun".[26] Burza also filmed the video for "Oh No!", with an aesthetic based on "zany neon" MTV graphics and the fame-hungry lyrics.[27] The video to "Shampain" fabricated an homage to Michael Jackson's Thriller.[24] Dan Knight fabricated a video for Chilly Gonzales' "stripped-down" remix of "Hollywood" that was intended to be the contrary of Burza's official video. In the video, Gonzales and Diamandis perform on a 1980s Estonian music prove complete with subtitles.[28]

Singles [edit]

"Obsessions" was Diamandis' commencement single, released on 14 February 2009,[xvi] and "Mowgli'south Road" followed on 13 Nov 2009.[29] She chose the vocal as an "uncommercial" taster due to its oddness, merely it received attention later on being shared by the likes of Perez Hilton and Kanye West.[30]

"Hollywood" was released as the anthology'due south second single and Diamandis' first major release on 1 February 2010.[1] It reached number 12 on the UK Singles Chart.[31] It was followed on 26 April by "I Am Not a Robot", which peaked at number 26 on the same listing.[31] "Oh No!" was released as the album'due south fourth unmarried on 2 August only in the UK and Republic of ireland; it charted at number 38.[31] "Shampain" was released as the album'southward 5th and concluding single on xi October, again but in the same region,[32] and reached number 141 in the UK.[33] "I Am Not a Robot" was nominated for the 2010 Popjustice £20 Music Prize for best British unmarried, eventually losing to "Kickstarts" past Example.[34]

Bout [edit]

Diamandis went on her first headlining bout to promote the album, performing in Europe, N America and Australia. Dates included the Glastonbury Festival 2010, South by Southwest and the Falls Festival. In parallel to headlining her own bout in the United States in mid-2011, she was an opening deed for Katy Perry's California Dreams Tour,[35] and finished past opening for Coldplay's Mylo Xyloto Tour at the Manchester Arena that December.[36] Subsequently a performance at Manchester'south Deaf Institute on 21 February 2010, Contactmusic.com author Katy Ratican awarded Diamandis a 9/10 rating, stating, "Next fourth dimension she plays Manchester, it will be to a sold out Academy 2 audition, with a top-selling album gracing the merchandising stand. Marina won't be playing to a few hundred people above a trendy bar in the foreseeable future".[37]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
AnyDecentMusic? vi.8/10[46]
Metacritic 68/100[38]
Review scores
Source Rating
AllMusic [12]
The A.5. Order C[39]
Clash half-dozen/10[40]
The Daily Telegraph [41]
Drowned in Sound v/ten[42]
The Guardian [43]
NME nine/10[17]
Q [14]
Spin 7/x[44]
The Lord's day Times [45]

The Family unit Jewels received generally positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 68, based on 21 reviews.[38] Hugh Montgomery of Q mag noted that the vocalizer'southward "imaginative reach" was "complemented by a winning pop savviness",[14] while Luke O'Neil from The Phoenix stated that "[t]he likes of Kate Nash and company have flitted through this piano siren/exuberant dance-diva territory, merely never mind, considering this gorgeous genre starts now."[47] Leonie Cooper of NME praised the album every bit "astonishing" and wrote that "Diamandis mixes sparkling pop with beautiful darkness for a debut that dazzles".[17]

More than mixed reviews were critical of Diamandis' vocal delivery. Lou Thomas from BBC Music commented that "over xiii songs of Sparks-voice and many similar staccato piano riffs listeners may feel bludgeoned",[21] and Sean O'Neal of The A.Five. Club wrote that later on "dozens of squeaky Regina Spektor-ish enunciations" and "Kate Bush trills", the "overbearing demand to prove herself merely ends upward being exhausting".[39] Joe Rivers of No Ripcord praised "Are You Satisfied?", "Hollywood" and "Oh No!" but was put off past sudden "howling" in "Hermit the Frog" and a "throaty growl" in "The Outsider".[48] Joe Copplestone of PopMatters concluded that Diamandis would accept to "tone down" these vocal techniques on time to come releases every bit non to overshadow "melodically inventive" music.[49]

A negative review came from The Independent 's Andy Gill who panned "Shampain" and "Hermit the Frog" as "as every bit annoying as their punning titles, with queasy, prancing piano and synth figures". He institute certain vocal techniques in "Mowgli'south Route" and "I Am Not a Robot" to be "infantile", and evaluated the lyrics of "Girls" and "Hollywood" every bit shallow.[50] At Drowned in Audio, Mary Bellamy described the anthology as split between original songwriting and commercial popular production "at the expense of achieving anything great in either camp".[42] NME placed the album at number 33 on its list of the Top 75 Albums of 2010.[51]

Commercial operation [edit]

The Family Jewels debuted at number five on the UK Albums Chart with beginning-week sales of 27,618 copies.[52] It remains Diamandis' best-selling debut calendar week in the UK, after her 2nd studio anthology Electra Heart entered the nautical chart at number ane with first-week sales of 21,358 units.[53] It ranked at number 87 in the Official Charts Company's list of the highest selling albums of 2010 in the UK.[54] The Family Jewels was afterwards certified Gold by the British Phonographic Industry (BPI),[55] and had sold 195,358 copies in the Great britain as of Apr 2015.[56] The record debuted at number vii in Hellenic republic and number nine in Republic of ireland;[57] [58] information technology was eventually certified Gilt by the Irish Recorded Music Clan (IRMA).[59]

The Family Jewels performed moderately on several international record charts. It reached number 12 in Deutschland,[60] and entered the Austrian chart at number xviii.[61] Information technology peaked at number 88 in the Netherlands,[62] number 100 in Switzerland,[63] and number 132 in French republic.[64] In Oceania, the anthology reached number 79 in Australia.[65] With first-week sales of 4,000 copies in the U.s., The Family Jewels entered the Billboard 200 at number 138,[66] while peaking at numbers 2 and 49 on Billboard 's Tiptop Heatseekers and Top Rock Albums charts, respectively.[67] [68] As of 2012, The Family Jewels had sold 300,000 copies worldwide.[69]

In an interview for Australian radio in January 2011, Diamandis said that her career that far had been "more than like a failure than a success", specially in the American marketplace. She attributed this to the inaction of Chop Shop Records, her label in the United States, too as a move in musical tastes to "pumping beats" past artists similar Lady Gaga. She cancelled performances in the Us in club to begin work on a new album.[lxx]

Runway listing [edit]

All tracks are written past Marina Diamandis except where noted.

No. Title Writer(s) Producer(southward) Length
i. "Are You Satisfied?"
  • Liam Howe
  • Richard "Biff" Stannard
  • Ash Howes
 3:21
2. "Shampain"
  • Diamandis
  • Howe
  • Pascal Gabriel
  • Gabriel
  • Howe
  • Stannard[a]
  • Howes[a]
three:xi
3. "I Am Not a Robot" Howe 3:35
iv. "Girls"
  • Diamandis
  • Howe
  • Gabriel
  • Gabriel
  • Howe
 3:28
five. "Mowgli's Route"
  • Diamandis
  • Howe
 Howe 3:12
half dozen. "Obsessions" Howe three:38
7. "Hollywood"
  • Stannard
  • Howes
  • Starsmith[b]
3:50
viii. "The Outsider"
  • Howe
  • Diamandis
 3:17
ix. "Hermit the Frog"
  • Howe
  • Diamandis[a]
3:35
10. "Oh No!"
  • Diamandis
  • Greg Kurstin
 Kurstin 3:02
11. "Rootless"
  • Diamandis
  • Howe
  • Gabriel
  • Gabriel
  • Howe
 iii:28
12. "Numb" Howe iv:xvi
13. "Guilty"
  • Diamandis
  • Stannard
  • Howes
  • Stannard
  • Howes
 3:twoscore
Total length: 45:35
iTunes Store bonus track[71]
No. Title Producer(s) Length
14. "The Family Jewels" Diamandis 4:05
Japanese edition bonus tracks[72]
No. Championship Producer(due south) Length
14. "The Family unit Jewels" Diamandis 4:05
15. "Seventeen" Howe 3:05
16. "Mowgli'south Road" (video) iii:02
17. "Hollywood" (video) 3:25
Us standard edition[73]
No. Championship Author(s) Producer(s) Length
7. "Hollywood" (single version)
  • Stannard
  • Howes
  • Starsmith[b]
three:24
8. "The Outsider"
  • Howe
  • Diamandis
 3:17
9. "Guilty"
  • Diamandis
  • Stannard
  • Howes
  • Stannard
  • Howes
 3:40
10. "Hermit the Frog"
  • Howe
  • Diamandis[a]
3:35
11. "Oh No!"
  • Diamandis
  • Kurstin
 Kurstin 3:02
12. "Seventeen" Howe 3:05
xiii. "Numb" Howe 4:sixteen
iTunes Store Us palatial edition bonus tracks[74]
No. Championship Author(s) Producer(southward) Length
xiv. "Rootless"
  • Diamandis
  • Howe
  • Gabriel
  • Diamandis
  • Gabriel
  • Howe
 3:28
15. "I Am Not a Robot" ((Flex'd Rework) (Passion Pit Remix))
  • Howe
  • Passion Pit[c]
4:47
16. "Obsessions" (Ocelot Remix)
  • Howe
  • Ocelot[c]
six:26
17. "I Am Non a Robot" (Starsmith 24 Carat Remix)
  • Howe
  • Starsmith[c]
5:18
18. "Hollywood" (video) iii:25
2021 digital deluxe edition bonus tracks[75]
No. Title Writer(due south) Producer(s) Length
14. "Rootless"
  • Diamandis
  • Howe
  • Gabriel
  • Diamandis
  • Gabriel
  • Howe
 3:28
15. "The Family Jewels" Diamandis 4:05
sixteen. "Hollywood" (Gonzales Remix)
  • Stannard
  • Howes
  • Starsmith
  • Gonzales[c]
3:43
17. "Obsessions" (Ocelot Remix)
  • Howe
  • Ocelot[c]
6:26
eighteen. "I Am Not a Robot" ((Flex'd Rework) (Passion Pit Remix))
  • Howe
  • Passion Pit[c]
4:47
19. "I Am Non a Robot" (Starsmith 24 Carat Remix)
  • Howe
  • Starsmith[c]
v:eighteen
20. "I Am Not a Robot" (The Shoes - No Shoes Remix)
  • Howe
  • The Shoes[c]
4:02

Notes

  • ^a signifies an additional producer
  • ^b signifies an original producer
  • ^c signifies a remixer

Personnel [edit]

Credits adapted from the liner notes of The Family Jewels.[76]

Musicians [edit]

  • Marina Diamandis – vocals (all tracks); piano (tracks 1–3, 6, eight, 12), glockenspiel (runway iii); Casio VL-tone (track 8); organ (track 12)
  • Richard "Biff" Stannard – keys (track 1); programming (tracks 1, 2, 7, 13); additional keys (rail two); all instruments (tracks 7, thirteen); drums (track 7)
  • Ash Howes – keys (track 1); programming (tracks 1, 2, seven, 13); additional keys (track 2); all instruments (tracks vii, 13)
  • Luke Potashnick – guitar (track 1)
  • Lucy Shaw – string arrangements, double bass (tracks 1, 3, vii, 9, 12, xiii)
  • Liam Howe – programming (tracks 1–3, 5, half dozen, 8, nine, 12); bass (tracks 1, 2, 5, 6); Mellotron (tracks 1, 3, 6, ix, 12); synths (tracks ane–3, half dozen, 8); electrical guitar, boosted piano (track two); Philicorda (track 3, 5, 6, 8, 9, 12); all instruments (tracks 4, xi); spoons, whistle, glockenspiel, acoustic guitar (rail 5); Jew's harp, santoor (rail 8); mandolin, recorders (tracks nine, 12)
  • Alison Dods – violin (tracks i, 3, vii, 13)
  • Calina de la Mere – violin (tracks 1, iii)
  • Rachel Robson – viola (tracks i, 3)
  • Chris Allan – cello (tracks 1, 3)
  • Steve Durham – drums (tracks 1–3)
  • Pascal Gabriel – programming (tracks two, iv, xi); synths (track two); all instruments (tracks 4, xi)
  • Alex Mackenzie – harpsichord, drums (tracks 5, 6); additional piano, mandolin (rail 6)
  • Raymond67 (Freesound Project) – mechanical monkey (runway 5)
  • Sandyrb (Freesound Project) – human monkey (track 5)
  • Stephen Large – cord arrangements (tracks 7, xiii); piano (tracks 9, 12); Hammond (track 12)
  • Niel Catchpole – violin (tracks vii, 13)
  • Oli Langford – viola (tracks 7, 9, 12, 13); violin (tracks 7, xiii)
  • Anna Mowat – cello (tracks vii, 13)
  • Anna Phoebe – violin (tracks 9, 12)
  • Rebekah Allan – violin (tracks 9, 12)
  • Chris Worsey – cello (tracks nine, 12)
  • David Westlake – drums (track 9)
  • Greg Kurstin – keys, guitars, programming (rails 10)

Technical [edit]

  • Liam Howe – production (tracks i–6, eight, 9, xi, 12); mixing (track 3, 5, 6, eight, 9, 12); engineering (tracks 5, 6, eight)
  • Richard "Biff" Stannard – production (tracks 1, 7, 13); additional production (rails 2); mixing (tracks 2, 7, xiii)
  • Ash Howes – production (tracks one, 7, 13); mixing (tracks ane, 2, 7, 13); additional production (runway two)
  • Richard Wilkinson – technology (tracks 1–3, ix, 12)
  • Dougal Lott – engineering assistance (tracks 1–three, 9, 12); Pro Tools (track 5)
  • Pascal Gabriel – production (tracks 2, 4, 11); technology, mixing (tracks 4, 11)
  • Marina Diamandis – mixing (tracks four, xi); production (rail 8); additional production (track nine)
  • Starsmith – original production (rail 7)
  • Greg Kurstin – production, recording, mixing (track 10)
  • Guy Davie – mastering (tracks 1–9, 11–13)
  • Dave Turner – mastering (track 10)

Artwork [edit]

  • Mat Maitland – sleeve art
  • Rankin – portraits

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Notes [edit]

  1. ^ Tracks 1–3, 5, 6, viii, nine and 12
  2. ^ Tracks 1–3, 5, 6, 9 and 12
  3. ^ Tracks ane, ii, 7 and 13
  4. ^ Tracks four and 11
  5. ^ Tracks 7 and 13
  6. ^ Rails 10

References [edit]

  1. ^ a b c "Marina and the Diamonds announce debut album details and release appointment". NME. 1 December 2009. Retrieved nine September 2015.
  2. ^ a b c Diu, Nisha Lilia (xx January 2011). "'I'm Marina, You're the Diamonds'". The Daily Telegraph . Retrieved 30 June 2015.
  3. ^ Fulton, Rick (12 February 2010). "I in one case played to 7 people in Aberdeen but things accept got better, says music newcomer Marina Diamandis". Daily Record . Retrieved 27 April 2014.
  4. ^ "Marina and the Diamonds: 'I almost strangled myself at Glastonbury'". NME. 29 June 2009. Retrieved 27 April 2014.
  5. ^ a b Savage, Mark (seven Jan 2010). "BBC Audio of 2010: Marina and the Diamonds". BBC News . Retrieved 27 April 2014.
  6. ^ "Ellie Goulding wins Brit Awards 2010 Critics' Choice prize". Metro. 9 December 2009. Retrieved 15 January 2016.
  7. ^ Azzopardi, Chris (19 July 2012). "Marina and the Diamonds On Nervous Breakdown, Gay Following & Existence One of the 'Greats'". Betwixt the Lines . Retrieved 25 March 2018.
  8. ^ Rogers, Toby (31 March 2010). "Best of What's Next: Marina & The Diamonds". Paste. Archived from the original on 5 April 2019. Retrieved 21 Dec 2018.
  9. ^ Watkins, Annaliese (24 November 2015). "Review: Marina and the Diamonds @ The Ritz, Manchester". Manchester Evening News . Retrieved four June 2021.
  10. ^ Nolan, Paul (23 Feb 2010). "The Family Jewels". Hot Press. Archived from the original on 13 Baronial 2017. Retrieved 23 February 2022.
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  15. ^ Twenty-four hour period, Laurence (2 January 2015). "Marina & The Diamonds shares new track "Immortal"". The Line of Best Fit . Retrieved 21 May 2016.
  16. ^ a b "Obsessions / Mowgli's Route 7". Neon Gilded Records. Archived from the original on xx January 2009. Retrieved 27 April 2014.
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  28. ^ Brownish, Dan (10 February 2010). "Marina & The Diamonds' Hollywood Viral (feat. Gonzales) by Dan Knight". Promo News. Archived from the original on 28 August 2018. Retrieved 12 May 2016.
  29. ^ "Mowgli's Route / Space and the Woods – Single by Marina & The Diamonds". iTunes Shop. United Kingdom. Retrieved 21 February 2010.
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  37. ^ Ratican, Katy (23 February 2010). "Marina and the Diamonds – The Deaf Institute, Manchester, Sunday 21/02/2010 Live Review". Contactmusic.com . Retrieved 12 May 2016.
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  44. ^ Walters, Barry (19 May 2010). "Marina & the Diamonds, 'The Family Jewels' (Chop Shop/Atlantic)". Spin. Archived from the original on 17 June 2011. Retrieved 28 April 2012.
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